低音管接着发出安静的转折信号，带出了漫游式的钢琴主题。同时钢琴转变为最弱音的十六分音符的伴奏。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

钢琴以一种几乎很难实行的行动终止了自己愤怒的演奏，两只手同时跳跃到三或四个八度以上并弹奏十六分音符的最强音。

The piano puts a momentary end to its own fury with a barely feasible manoeuvre, both hands jumping up three or four octaves simultaneously and fortissimo in the time of a semiquaver.

小快板的第三乐章用川流不息的十六分音符节奏，表现出一种活跃奔放的精神境界。

Allegretto third movement with an endless stream of sixteenth note rhythms, showing a dynamic and imaginative spiritual realm.