This can fly, and will fly, said Jonathan Hartman.

他说：“这个飞机可以飞，也将会飞起来。

And it's this final movement of the simile, according to this ingenious argument by Geoffrey Hartman, that Hartman calls the counter-plot.

根据哈特曼灵巧的论点看来，这就是这个比喻最后的深意，他称之为反计。

So think of the article on Milton's similes by Geoffrey Hartman.

想一想杰弗里哈特曼关于弥尔顿的明喻写的文章。

DEMCO's Ed Hartman takes command of the site and the task ahead of him.

DEMCO的艾德•哈特曼负责现场指挥以及未来的任务。

Geoffrey Hartman's theory had a similar tendency to align the poem with a kind of a religious orthodoxy.

哈特曼的理论有着相似的趋势，给这首诗附加上一种宗教上的正统思想。

And Hartman made sense of the seemingly chaotic and confused movement of the narrator's imagination here.

哈特曼使叙述者在这里混乱无序的想象，变得能够理解，有所深意。

I think Hartman is absolutely right to note that it's this aspect of Milton's similes that sets them entirely apart from the similes in any other epic poem.

我认为他注意到了弥尔顿明喻中的这个方面，是突出区别于其他诗歌中的明喻的，此举是非常恰当无误的。