The faithful herdman's art in Lycidas is a double one.

虔诚的牧人在里是一个双关语。

He asks the gods what has happened to Lycidas and who exactly was responsible for the sinking of Lycidas' ship.

他问众神利西达斯怎么了,是谁让他的船沉没的。

Milton's Lycidas' body is still in some way a physical one.

弥尔顿所写的利西达斯的身体仍然是物质的，具体的。

The poet's fingers by the end of Lycidas aren't forced or rude.

在的最后，诗人的手指并没有紧扣着。

It's as if Lycidas has died so that Milton could live to become a great poet.

似乎利西达斯依然死去，因此弥尔顿才得以继续存活,并成为一个伟大的诗人。

Lycidas' untimely death seems to enable Milton to master his own fears of untimeliness.

利西达斯不合时宜的死亡似乎，使得弥尔顿能够掌握他自己对于不合时宜的恐惧。

We looked last time at Saint Peter's declamatory speech in Lycidas, and we spent a lot of time on it.

我们上次读过了圣彼得在“利西达斯“中说的话，花了很长时间研究这段话。

At least that's what the OED tells us; the only example that they can find of the word scrannel is in Milton's Lycidas.

至少这是牛津英语字典告诉我们的;,他们找到的唯一一个例证,就是在里的这个。

In Lycidas Milton doesn't let himself, thank God, go quite so far as he does in this amazing ending to Damon's Epitaph.

感谢上帝，在《利西达斯》中，弥尔顿做的不像，他在《达蒙的墓志铭》的结尾那样过火

When we consider the particular circumstances that occasioned the poem Lycidas, we can see why Milton, I think, chose this pastoral form.

当我们把引发的创作的，特有的情况考虑进去，我们可以发现弥尔顿选择这种田园诗派的原因。