This thesis attempts to analyze wifehood, motherhood and selfhood in Kate Chopin's the Awakening by feminist criticism.

本论文试从女性主义角度解读凯特·肖班《觉醒》中的妇道、母性和自我。

Although Olga loved Jack, that image of wifehood (hers, not his) was so noxious that subconsciously she knew she couldn't sustain it.

虽然olga爱jack，但是这种(她产生而不是他产生的)妻子形象太有毒害性，以至于在潜意识里自己知道无法维系下去。