我与我自己和我作品中的角色作斗争。

I battle with my self and the characters in my works.

我只想说：作为一条红线，我的生活贯穿我作品的始终。

I would simply say: As a red line, my life is meandering through my work.

那就是我为什么最初选择东北作为我作品取景的原因。

That was the reason I initially chose Dongbei as the setting for my work.

我作品中最大的提升是当我开始有条不紊地在不同阶段检查我的动画，并且对照清单中的内容向自己进行发问时。

The biggest advancements in my work come when I began to methodically go through my animation at various stages and ask myself about the items on my Checklist.

第三章「材质的模拟与创造」是讨论媒材在我作品里所扮演的角色，以及媒材的创造性试探和实验性的开发。

The third chapter, the mimesis and creation of media, is about the rules media play in my work, as well as the feasibility testing and experimental exploration of it.